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Mara Schwerdtfeger

Posted in , , , , , , , , , , , , on 2-22-24

Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them

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Jacqui O’Reilly

Posted in , , , , , , on 10-15-22

Jacqui O’Reilly is a Pākehā artist, researcher and musician from Aotearoa New Zealand, now based in Sydney Australia, on the unceded land of the Gadigal people of the Eora Nation. Jacqui is interested in the creative act as acknowledgement of what has happened in the past and what could happen in the future through embodiment within the more-than-human world.

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Lesteria

Posted in , , , , , on 3-1-21

Lesteria is an experimental vocal and sound artist based in Paris, France. She builds her tracks by compositing field-recorded and found sounds with improvised instrumentation, then adds a blend of vocal layers which represent the compartmentalization of her inner selves. The text of her vocal performance expresses the separation and reunification of layers of self-awareness.

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Lisa Rae Bartolomei

Posted in , , , , , , , , , , , on 3-1-21

Lisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon. 

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Klare Lanson

Posted in , , , , , , , , , , on 3-1-21

Klare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.

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Niki Matita

Posted in , , , , , , , , on 5-6-20

Niki Matita is a record entertainer, selectress, experimental sound artist, improviser, performer, researcher, radio artist & presenter, activist and moderator. She works and lives in Berlin. Her sonic work is based on research-inspired notes and texts, voice experiments, plunderphonics and own compositions.

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 Anna Whitaker

Posted in , , , , , , , , , on 1-24-20

Anna Whitaker is a Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm.

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Dafna Naphtali

Posted in , , , , , , , , , , , , on 8-15-19

Sound-artist,electronic musician, singer, guitarist, composer/performer of experimental, contemporary, improvised music with her Max/MSP programming for live-sound-processing.  She makes music for robots, interactive sound (and video) art, and “Audio Chandelier” multi-channel sound works.

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Taana Rose

Posted in , , , , , , , , , , , , , on 2-2-19

Taana Rose is a multi instrumentalist singer/songwriter who plays guitar and synthesiser, while performing with a Launchpad using electronic vocal looping. Her latest single Unexpected Love is set  to be released on the 9th of March 2019.

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Gretchen Jude

Posted in , , , , , , on 8-27-18

Born and raised in the wild state of Idaho (USA), performer and composer Gretchen Jude has been heard across the globe, from Seoul to Helsinki. Gretchen’s work explores the liminal spaces between natural & artificial, tradition & experimentation, self & other, as she wanders the borderlands of contemporary experience. As a composer, she approaches music composition as ‘a channel for the desire to sing’ (to paraphrase Joel Ryan paraphrasing William Forsythe).

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 Karen Power

Posted in , , , , , , , , on 3-4-18

Irish composer Karen Power seeks to stimulate, engage and interact with audiences. Her work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Karen’s output is diverse – both in its approach and delivery – and her primary aim is to capture and translate the essence of an idea through any artistic means necessary.

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 Kallie Marie 

Posted in , , , , , , on 5-15-17

Kallie Marie has a Masters in Music Production from the Leeds College of Music. She specializes in Music Production and Composition. In addition to her work writing music for Film, TV, and Dance and producing and recording various artists, Kallie also teaches Audio For Multimedia at NYU SPS Center for Applied Liberal Arts, where she is an adjunct faculty member. Kallie is also a regular contributing write at Sonic Scoop.

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Catherine Clover

Posted in , , , , , , , on 2-19-17

Catherine’s multidisciplinary practice addresses communication through voice and language and the interplay between hearing/listening and seeing/reading. Using field recording, digital imaging and the spoken/written word she is exploring an expanded approach to language within species and across species through a framework of everyday experience.

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Manja Ristic

Posted in , , , , , , , on 11-9-16

Born in Belgrade 1979. violinist, sound artists, curator and researcher mostly active in the field of electro-acoustics, instrumental improv & experimental sound related arts. Graduated at the Belgrade Music Academy, then gained PGDip at the RCM, London. In the past years focused on developing own notation system (Violin Revealed, Alternative Guide to Violin’s Sonic Life) integrating intuitive graphics with microtonal instrumental approaches as well as development of cognitive memory in conceptual AV performance.

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Riz Maslen

Posted in , , , , , , , , on 3-22-16

Riz Maslen, who records as Neotropic and Small Fish With Spine, has been described as one of the most prominent women composers working in post-techno experimental electronics. In addition to her warm electronic programming, Maslen’s music also embraces folk, psychedelic pop and her interest in experimental filmmaking.

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Zahra Mani

Posted in , , , , , , , , , , , , , , , , on 3-22-16

I am a musician, composer, sound and radio artist. I play a number of instruments, including double bass, guitars, and the piano. I use my field recording archive to create organic electro-acoustic soundscapes for my compositions and performances.

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Alexandra Spence

Posted in , , , , , , , , , on 9-8-15

Alexandra Spence is a sound artist and clarinettist from Sydney, Australia, currently based in Vancouver, Canada. She works within the fields of improvised music, electroacoustic composition and multimedia installation. Alex is interested in the relationship between humans and their sonic environments, in the connection between sound and its context, and its relationship to experience, feeling, memory and place.

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Leah Barclay 

Posted in , , , , , , on 8-20-15

Leah Barclay is an Australian interdisciplinary artist, creative producer, composer and researcher who specialises in electroacoustic music, sound art and acoustic ecology. Her work has been commissioned, performed and exhibited to wide acclaim across Australia, New Zealand, Canada, USA, Europe, India, South Africa, China and Korea. She has been the recipient of numerous awards and has directed and curated interdisciplinary projects across the Asia-Pacific.

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Sally Ann McIntyre / radio cegeste

Posted in , , , , , , , , on 6-4-15

Sally Ann McIntyre was born in Hobart, and currently resides in Dunedin. Her creative practice is highly responsive to place, and includes sound art, the creative use of radio, and the the use of field recordings, as well as a concurrent practice in poetry and associated forms of writing.

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Rosalind Hall

Posted in , , , , , , , , , , , on 6-4-15

Rosalind Hall is an Australian musician and composer who creates performances, compositions, installations and soundtracks.  Rosalind’s spatial and expansive work explores the physicality of sound through the use of amplification, microtonal movement, beating frequencies and reverberation. 

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Ana María Romano Gómez

Posted in , , , , , , , , , , , on 5-17-15

Ana María Romano Gómez. Compositora y artista sonora colombiana. Su interés por la exploración sonora la ha llevado por territorios en los que sonidos y silencios se encuentran con movimientos, lugares, imágenes, materias; con cuerpos, objetos y espacios sonantes y silentes. Le gusta crear en colaboración y le apasiona indagar y transitar por terrenos desconocidos o ajenos.

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Stanier Black-Five

Posted in , , , , , , , , , , , on 4-21-15

Stanier Black-Five is the ex-UK and now New Zealand-based sound artist and writer, Jo Burzynska. Her audio work is largely based on the manipulation of her own environmental recordings, which she uses to create dense soundscapes that use sources such as the pounding rhythms of trains to more recently, the sounds of the earthquakes that have shaken her home city.

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sister0 / Nancy Mauro-Flude

Posted in , , , , , , , , , , on 4-18-15

stray cat | vessel of infinite veracity | supernatural repository | sister of Ophelia | L’Enfant terrible | wayward | illegitimate bastard child | rock & roll outlaw |
member of the the Church of overblown firefox tabs, her spiritual animal is the Tasmanian devil.

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Melanie Herbert

Posted in , , , , , , , on 4-16-15

Melanie Herbert is a Sydney-based composer, performer and installation artist. She performs in 8-piece laptop orchestra Electronic Resonance Korps, as well as large-scale improvising ensemble, Splinter Orchestra. As resident sound artist for Earthcrosser Company, Melanie has been involved in self-devised theatre works such as Room which was showcased at PACT theatre in May 2014.

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Gail Priest

Posted in , , , , , , , , , , , , on 4-3-15

Gail Priest is a Sydney-based artist with a multifaceted practice in which sound is the key material of communication and investigation. Her compositions exist in a liminal zone between song and soundscape. She is the founder of Audible Women.

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