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Mara Schwerdtfeger

Posted in , , , , , , , , , , , , on 2-22-24

Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them

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Jo Truman

Posted in , , , , , , , on 9-13-23

Jo (Josephine) Truman is a composer/ performer/improviser and sound artist. She has a BA in Communications (UTS – majoring in sound and writing) and an MMus (Composition – Sydney Conservatorium of Music) with her research thesis on extended vocal techniques in New Music. She has received various awards for her work – a Special Purpose Award and an International Study Grant which took her to Europe where she lived for 19 years, performing in many festivals such as the Le Mans Jazz Festival, the Strasbourg Musica Festival, Heineken Jazz Fest…

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Mareike Dobewall

Posted in , , , , , , , , , , on 7-22-23

Mareike Dobewall is a director, scenographer, musician and composer. She is based in Stockholm since 2016.  She studied filmmaking in Berlin, scenography at the Norwegian Theatre Academy and choreography at HZT in Berlin. Her specialisation lies in the creation of spatial sound performances.

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Cynthia Zaven

Posted in , , , , , , , , , , on 10-15-22

Cynthia Zaven is a composer, pianist and artist based in Beirut. Her projects combine a variety of media including video, photography, performance and the use of archive material to explore the relationship between sound, memory and identity through interwoven narratives.

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Jacqui O’Reilly

Posted in , , , , , , on 10-15-22

Jacqui O’Reilly is a Pākehā artist, researcher and musician from Aotearoa New Zealand, now based in Sydney Australia, on the unceded land of the Gadigal people of the Eora Nation. Jacqui is interested in the creative act as acknowledgement of what has happened in the past and what could happen in the future through embodiment within the more-than-human world.

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Maria Bergström

Posted in , , , , , , on 3-1-21

Maria Bergström is a sound artist working with acoustic & electronic instruments and samples to build soundscapes to tell stories with focused presence as the main goal. Working with topics like mental space versus physical space, silence as something relative, and sound pollution, she is driven by creating human openness and sensory stimulation through sound.

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Lesteria

Posted in , , , , , on 3-1-21

Lesteria is an experimental vocal and sound artist based in Paris, France. She builds her tracks by compositing field-recorded and found sounds with improvised instrumentation, then adds a blend of vocal layers which represent the compartmentalization of her inner selves. The text of her vocal performance expresses the separation and reunification of layers of self-awareness.

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Lisa Rae Bartolomei

Posted in , , , , , , , , , , , on 3-1-21

Lisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon. 

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Klare Lanson

Posted in , , , , , , , , , , on 3-1-21

Klare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.

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Sadah Espii Proctor

Posted in , , , , , , on 5-15-20

Sadah Espii Proctor (Espii) is a VR director and sound/media designer for theatre and immersive experiences. Named by American Theatre Magazine as one of “6 Theatre Artists to Know” for multimedia storytelling, her work encompasses global stories of women, social issues, and the African Diaspora, often with an Afrofuturist/Cyberpunk lens.

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 Anna Whitaker

Posted in , , , , , , , , , on 1-24-20

Anna Whitaker is a Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm.

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Dafna Naphtali

Posted in , , , , , , , , , , , , on 8-15-19

Sound-artist,electronic musician, singer, guitarist, composer/performer of experimental, contemporary, improvised music with her Max/MSP programming for live-sound-processing.  She makes music for robots, interactive sound (and video) art, and “Audio Chandelier” multi-channel sound works.

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Tansy Spinks

Posted in , , , , , , , , , on 6-16-19

Artist, photographer, performer, sound and video maker, Tansy Spinks is currently researching ways of listening, materiality in sound-making and site-specific sound as a live, performative practice. She received her PhD from LCC, (CRiSAP), University Of the Arts, London with David Toop, Angus Carlyle and Cathy Lane.

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Taana Rose

Posted in , , , , , , , , , , , , , on 2-2-19

Taana Rose is a multi instrumentalist singer/songwriter who plays guitar and synthesiser, while performing with a Launchpad using electronic vocal looping. Her latest single Unexpected Love is set  to be released on the 9th of March 2019.

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 Karen Power

Posted in , , , , , , , , on 3-4-18

Irish composer Karen Power seeks to stimulate, engage and interact with audiences. Her work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Karen’s output is diverse – both in its approach and delivery – and her primary aim is to capture and translate the essence of an idea through any artistic means necessary.

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Laura Mello

Posted in , , , , , , , , , , on 10-15-17

Laura Mello is a composer and performer who sees voices as persons in sound, as well as language, gestures and field recordings as musical materials. Originally from Brazil and living between Vienna and Berlin, she plays with languages, field recordings and synthesized sounds to make instrumental compositions, performances, experimental music, radio art and sound installations.

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Soramimi

Posted in , , , , , on 5-15-17

Soramimi is a composer and producer based in NYC. She is the co-owner of Dusk Notes record label. “ Soramimi ” is defined as a mishearing or feigned deafness. She regards her music as narrative imagery, with a celestial sound illustrated by cerebral textures and dreamlike compositions. Soramimi brings a distinct fluency and gravity to the table of ambient and experimental techno.

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Nina Dragičević

Posted in , , , , , , , on 5-15-17

Nina Dragičević (b. 1984) started her musical career as a classical violinist. Since 2008 she has been active as a drum’n’bass DJ and a member of the first female DJ collective in Slovenia, Female’s’cream . Since 2013 she has been focusing on creating her own music which she presents exclusively at alternative culture venues, such as Ljubljana’s Škuc Gallery , Kapelica Gallery , Pritličje , Autonomous cultural centre Metelkova , Social centre Rog etc.

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Judy Dunaway

Posted in , , , , , , on 3-13-17

Judy Dunaway is an avant-garde composer, free improvisor, conceptual sound artist, transmission artist and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over forty works for balloons as sound conduits and has also made this her main instrument for improvisation.

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Catherine Clover

Posted in , , , , , , , on 2-19-17

Catherine’s multidisciplinary practice addresses communication through voice and language and the interplay between hearing/listening and seeing/reading. Using field recording, digital imaging and the spoken/written word she is exploring an expanded approach to language within species and across species through a framework of everyday experience.

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Sally Golding

Posted in , , , , , , , on 12-16-16

Sally Golding is a multimedia artist combining film projection, lighting and sonic composition to create expanded cinema performances and participatory installations. Golding’s audiovisual performance work focuses on the experience of the audience, pushing the boundaries of visual and auditory perception through the breakdown of the cinematic system into flicker, waveforms and colour fields…

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The Woman With No Head

Posted in , , , , , , on 12-16-16

French self-taught multi-instrumentalist, I mainly use alternatively tuned guitars synchronized with Kaoss Pads and EBows to create Experimental Sound landscapes. Inspired by many various genres (Electro-Acoustic, Ambient, Sound Art, Noise, Drone, Post-Rock, Electro, …) and pioneers like Brian Eno, Suzanne Ciani, Pierre Boulez, my aim is to deflect and bring harmonies and disharmonies normally used on acoustic instruments towards electric-modified ones.

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Anja Kanngieser

Posted in , , , , , on 11-9-16

I am a researcher, writer and educator working on sonic communication and geography. Concentrating on shifts in economic and political landscapes, I investigate how these shifts are translated in the sounds that we hear, how we are affected by them, and how we listen and respond. My work is concerned with the ways that sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in

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Manja Ristic

Posted in , , , , , , , on 11-9-16

Born in Belgrade 1979. violinist, sound artists, curator and researcher mostly active in the field of electro-acoustics, instrumental improv & experimental sound related arts. Graduated at the Belgrade Music Academy, then gained PGDip at the RCM, London. In the past years focused on developing own notation system (Violin Revealed, Alternative Guide to Violin’s Sonic Life) integrating intuitive graphics with microtonal instrumental approaches as well as development of cognitive memory in conceptual AV performance.

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Jenny Graf Sheppard

Posted in , , , , , on 10-12-16

Jenny Gräf (US/DK) is a sound, video and performance artist who explores peripheral places and states through composition, improvisation and participatory works. In Gräf’s music and art she invokes immersion and rupture to explore changing perceptions of diegesis and space, formal choices rooted in a deep interest in social roles and behavior.

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Emily Bennett

Posted in , , , , , , , , , on 5-9-16

I am an improvising and experimental vocalist that works with synthesized and site-specific sounds. I have collaborated with choreographers, theatre makers), journalists, young people and more recently, constructed works for live music performance that fuse sound design and composed work with future directions in real-time improvisation.

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Zahra Mani

Posted in , , , , , , , , , , , , , , , , on 3-22-16

I am a musician, composer, sound and radio artist. I play a number of instruments, including double bass, guitars, and the piano. I use my field recording archive to create organic electro-acoustic soundscapes for my compositions and performances.

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Sophia Loizou

Posted in , , , , , , , , , on 3-9-16

Sophia Loizou is a music producer, author and AV artist working at the intersection of contemporary electronic music, speculative fiction and the ecological. Central to her practice is an ongoing investigation of sonic fiction as a generative, theory-making device that operates from within sound.

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Alexandra Spence

Posted in , , , , , , , , , on 9-8-15

Alexandra Spence is a sound artist and clarinettist from Sydney, Australia, currently based in Vancouver, Canada. She works within the fields of improvised music, electroacoustic composition and multimedia installation. Alex is interested in the relationship between humans and their sonic environments, in the connection between sound and its context, and its relationship to experience, feeling, memory and place.

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Leah Barclay 

Posted in , , , , , , on 8-20-15

Leah Barclay is an Australian interdisciplinary artist, creative producer, composer and researcher who specialises in electroacoustic music, sound art and acoustic ecology. Her work has been commissioned, performed and exhibited to wide acclaim across Australia, New Zealand, Canada, USA, Europe, India, South Africa, China and Korea. She has been the recipient of numerous awards and has directed and curated interdisciplinary projects across the Asia-Pacific.

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Bronwen Williams

Posted in , , , , , , , on 7-23-15

Bronwen Williams is a trans-disciplinary artist working with sound as a material to interrogate the nuances of cross-cultural living. Bronwen’s sound work uses psycho-acoustic phenomena and the sonic experience of oscillation and vibration to investigate an experience of cultural hybridity that is underpinned by a state of perpetual flux and tension. Employing a range of minimalist sound art tropes, her work offers an embodied listening experience that speaks to her contemporary cross-cultural reality.

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Amanda Stewart

Posted in , , , , , , , , on 7-17-15

Amanda Stewart is a poet, author and composer/performer for voice. She has created a diverse range of publications and performances in Australia, Europe, the US and Japan working in literature, music, sound poetry, broadcasting, theatre, film, dance and new media environments. Within new music and sound art, Stewart has developed a unique approach to composition, improvisation and extended vocal technique where she incorporates her own philosophical, linguistic and poetic formulations/constructions (and abstractions) within music, body and voice.

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Rosalind Hall

Posted in , , , , , , , , , , , on 6-4-15

Rosalind Hall is an Australian musician and composer who creates performances, compositions, installations and soundtracks.  Rosalind’s spatial and expansive work explores the physicality of sound through the use of amplification, microtonal movement, beating frequencies and reverberation. 

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Jodi Rose

Posted in , , , , , , , , , , , on 5-31-15

Jodi Rose is an artist, writer, producer, and creator of Singing Bridges, an urban sonic sculpture playing the cables of bridges as musical instruments on a global scale. Originally from Sydney, Rose travelled from Helsinki to Vietnam, New York to Singapore and Berlin in her quest for bridge music.

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Sol Rezza

Posted in , , , , , on 5-29-15

Sol Rezza (7/4/1982 Buenos Aires, Argentina) is a sound designer and radio producer specialized in radio art, recording, field recording, sound design for media, post-production and audio mixing.
Her compositions are based on the transformation of field recordings and composition using virtual instruments, indigenous instruments, experimentation with voices and foley

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Pamela Z

Posted in , , , , , , , , , , , on 5-17-15

Pamela Z is a composer/performer and media artist working with voice, live electronic processing, sampled sound, and video. A pioneer of live looping techniques, she creates works combining extended vocal techniques, operatic bel canto, found objects, text, processing, and gesture-activated MIDI controllers.

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Ana María Romano Gómez

Posted in , , , , , , , , , , , on 5-17-15

Ana María Romano Gómez. Compositora y artista sonora colombiana. Su interés por la exploración sonora la ha llevado por territorios en los que sonidos y silencios se encuentran con movimientos, lugares, imágenes, materias; con cuerpos, objetos y espacios sonantes y silentes. Le gusta crear en colaboración y le apasiona indagar y transitar por terrenos desconocidos o ajenos.

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Pia van Gelder

Posted in , , , , , , on 4-23-15

Pia van Gelder is an electronic artist, teacher and curator who has exhibited and performed widely across Australia and internationally. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesiser, and common electronic devices which are opened up and hacked to perform in ways that negate their use or assumed design.

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Jasmine Guffond

Posted in , , , , , , , on 4-23-15

Jasmine Guffond is a sound artist and composer from Sydney, Australia, living and working in Berlin, Germany. She has performed live internationally, exhibited sound installations and recorded music for CD and 12inch vinyl releases with the Sigma Editions, Staubgold, Monika Enterprise and Sonic Pieces labels.

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Stanier Black-Five

Posted in , , , , , , , , , , , on 4-21-15

Stanier Black-Five is the ex-UK and now New Zealand-based sound artist and writer, Jo Burzynska. Her audio work is largely based on the manipulation of her own environmental recordings, which she uses to create dense soundscapes that use sources such as the pounding rhythms of trains to more recently, the sounds of the earthquakes that have shaken her home city.

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sister0 / Nancy Mauro-Flude

Posted in , , , , , , , , , , on 4-18-15

stray cat | vessel of infinite veracity | supernatural repository | sister of Ophelia | L’Enfant terrible | wayward | illegitimate bastard child | rock & roll outlaw |
member of the the Church of overblown firefox tabs, her spiritual animal is the Tasmanian devil.

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Melanie Herbert

Posted in , , , , , , , on 4-16-15

Melanie Herbert is a Sydney-based composer, performer and installation artist. She performs in 8-piece laptop orchestra Electronic Resonance Korps, as well as large-scale improvising ensemble, Splinter Orchestra. As resident sound artist for Earthcrosser Company, Melanie has been involved in self-devised theatre works such as Room which was showcased at PACT theatre in May 2014.

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