Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them
Read MoreDenitsa Mineva is a Berlin based acoustic music artist. She works in the fields of free improvisation, experimental music, avantgarde, real-time composition, Echtzeitmusik, instant composition, sound art & design. She plays violin, piano, cello and objects.
Read MoreCynthia Zaven is a composer, pianist and artist based in Beirut. Her projects combine a variety of media including video, photography, performance and the use of archive material to explore the relationship between sound, memory and identity through interwoven narratives.
Read MoreI am an acoustic ecologist, sound artist, composer, musician and educator. I seek spaces with limited anthropogenic sounds including infrasound interactions. With an ongoing quest for sonic immersion and creative compositional devices with authenticity and inspiration I delve into an organic landscape of sound.
Read MoreLaura Pronestì is a professional sound engineer from Milan, Italy. She has two main projects: Elephant in Siberia, an electro-jazz duo with Chantal Antonizzi; and Recording Atlas, a website in which we created a visual atlas of sound recordings, an interactive map in which visual and acoustic stimuli are matched.
Read MoreMaria Bergström is a sound artist working with acoustic & electronic instruments and samples to build soundscapes to tell stories with focused presence as the main goal. Working with topics like mental space versus physical space, silence as something relative, and sound pollution, she is driven by creating human openness and sensory stimulation through sound.
Read MoreLisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon.
Read MoreGillian Lever is a sound artist and composer working across multichannel sound performance, diffusion and sound installation. Her practice examines the intertwined nature of the relationship between spatial sound, the space it inhabits, and the exploring listener.
Read MoreKlare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.
Read MoreSadah Espii Proctor (Espii) is a VR director and sound/media designer for theatre and immersive experiences. Named by American Theatre Magazine as one of “6 Theatre Artists to Know” for multimedia storytelling, her work encompasses global stories of women, social issues, and the African Diaspora, often with an Afrofuturist/Cyberpunk lens.
Read MoreAnna Whitaker is a Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm.
Read MoreMilkffish is the exploratory sound project of Lia Molina, comprised of ambient sound art using field recordings to blend both natural and industrial sounds.
Read MoreAfter 19 years as an electronic musician under another guise, I finally decided to create a project which allows me to break away from some of the conventions that I have used elsewhere. I use a range of field recordings, found sounds and hardware with minimal processing…
Read Morecomposer, producer and performer of intuitive and expressive music and sound design, sometimes a mix of the two using her voice, piano, tech and guest musicians. Also instigator and project manager of electronic music charity Delia Derbyshire Day. Based in Manchester, UK.
Read MoreTaana Rose is a multi instrumentalist singer/songwriter who plays guitar and synthesiser, while performing with a Launchpad using electronic vocal looping. Her latest single Unexpected Love is set to be released on the 9th of March 2019.
Read MoreLa Cosa Preziosa (Susanna Caprara) is a sound artist from the south of Italy based in Dublin, Ireland. Her work focuses on soundscape composition for performances, radio broadcasts and gallery installations, as well as the experimental exploration of the short-form.
Read MoreDanish composer and keyboard player, best known from her constantly changing and innovative band Television Pickup and as a solo artist under the name Tuba Dynamite. Alongside being a live musician she works as a producer and makes sound design and music for computer games.
Read MoreAndrée Greenwell is a composer, vocalist and sound designer who works across mainstream and experimental platforms in performing arts, screen, and radio. Her catalogue of around 100 scores includes credits for Australia’s leading performing arts organisations…
Read MoreKezia Yap is a Sydney-based composer who specialises in acoustic chamber, and mixed music (a medium that combines live acoustic instrumental performance with electronic elements). Her work centres around an exploration of timbre and space, and the way that can be extended through the inclusion of electronics.
Read MoreKristina Warren (US, UK) is an electroacoustic composer, improviser, and researcher. Her diverse output — including electronic-vocal performance, non-traditionally notated scores, and scholarship on gender in electronic music — imagines the coherence of seemingly disparate processes, such as noise and individualized listening.
Read MoreKallie Marie has a Masters in Music Production from the Leeds College of Music. She specializes in Music Production and Composition. In addition to her work writing music for Film, TV, and Dance and producing and recording various artists, Kallie also teaches Audio For Multimedia at NYU SPS Center for Applied Liberal Arts, where she is an adjunct faculty member. Kallie is also a regular contributing write at Sonic Scoop.
Read MoreSoramimi is a composer and producer based in NYC. She is the co-owner of Dusk Notes record label. “ Soramimi ” is defined as a mishearing or feigned deafness. She regards her music as narrative imagery, with a celestial sound illustrated by cerebral textures and dreamlike compositions. Soramimi brings a distinct fluency and gravity to the table of ambient and experimental techno.
Read MoreSky High Diamonds is the musical outlet of Sarah Gatter who defines herself as an experimental DIY sound poet. Inspired by a combination of acoustic sounds, electronic sources, pre recorded and spontaneous sounds, Sarah also develops homemade percussion to explore space and rhythm.
Read MoreMaritime-born artist, Lisa Lipton is a multidisciplinary visual artist, musician and director who received her B.F.A. from NSCAD University and M.F.A. from the University of Windsor. Her projects explore the potential for crossing genres of film, mixed media installation, performance, theatre and music.
Read MoreES is an Italian artist and academic in visual/sonic arts combining interactive installations with creative programming, research-based field recordings, DIY electronics, photographs, and non-linear soundscape compositions.
Read MoreI am a researcher, writer and educator working on sonic communication and geography. Concentrating on shifts in economic and political landscapes, I investigate how these shifts are translated in the sounds that we hear, how we are affected by them, and how we listen and respond. My work is concerned with the ways that sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in
Read MorePolly Stanton is an audio-visual artist and researcher. Her practice primarily explores listening as a means to navigate and map location and investigate the unseen aspects of place. Occupying the intersection of field recording, sound design, cinema and observational documentary, her work considers how sound can expand our experience of visual comprehension.
Read MoreAshley Shomo is an experimental vocalist who creates unbound compositions with syllables, words, breath and other diverse voice-centric techniques. Cyclopsycho has been Ashley’s primary experiment since 2004. Here, she weaves and manipulates layers of voice, poetry and visual body art to summon adventures into the wild.
Read MoreRiz Maslen, who records as Neotropic and Small Fish With Spine, has been described as one of the most prominent women composers working in post-techno experimental electronics. In addition to her warm electronic programming, Maslen’s music also embraces folk, psychedelic pop and her interest in experimental filmmaking.
Read MoreMarie e le Rose is a sound artist and a musician. She has done releases with many labels (No Problema Tapes, Time Released Sound, Laverna, Zamzam Records, Chemical Tapes,..) with many monikers referring to many concepts (Marie e le Rose, Moon Ra, MonoLogue).
Read MoreI am a musician, composer, sound and radio artist. I play a number of instruments, including double bass, guitars, and the piano. I use my field recording archive to create organic electro-acoustic soundscapes for my compositions and performances.
Read MoreDominika Ksel is an interdisciplinary artist, psychonaut and investigator of invisible landscapes living in Brooklyn. The work is an ecosystem that gently deconstructs power and materiality while exploring the interstices of consciousness, history, gender & sexual politics, science and sound.
Read MoreI’m a singer who combines beats with performance art and collaborates with producers from around the world. I am a classically trained violinist and also play cello and bass, which I layer to create neoclassical soundtracks for film and modern dance companies.
Read MoreBronwen Williams is a trans-disciplinary artist working with sound as a material to interrogate the nuances of cross-cultural living. Bronwen’s sound work uses psycho-acoustic phenomena and the sonic experience of oscillation and vibration to investigate an experience of cultural hybridity that is underpinned by a state of perpetual flux and tension. Employing a range of minimalist sound art tropes, her work offers an embodied listening experience that speaks to her contemporary cross-cultural reality.
Read MoreRosalind Hall is an Australian musician and composer who creates performances, compositions, installations and soundtracks. Rosalind’s spatial and expansive work explores the physicality of sound through the use of amplification, microtonal movement, beating frequencies and reverberation.
Read MoreSol Rezza (7/4/1982 Buenos Aires, Argentina) is a sound designer and radio producer specialized in radio art, recording, field recording, sound design for media, post-production and audio mixing.
Her compositions are based on the transformation of field recordings and composition using virtual instruments, indigenous instruments, experimentation with voices and foley
Nat Grant is a percussionist, sound artist, composer and teacher from Melbourne, Australia. She works predominantly as a freelance artist and has been employed as a composer and performer in the fields of puppetry, theatre, film, animation, and dance.
Read MoreAna María Romano Gómez. Compositora y artista sonora colombiana. Su interés por la exploración sonora la ha llevado por territorios en los que sonidos y silencios se encuentran con movimientos, lugares, imágenes, materias; con cuerpos, objetos y espacios sonantes y silentes. Le gusta crear en colaboración y le apasiona indagar y transitar por terrenos desconocidos o ajenos.
Read MoreJessica Ekomane was born in France. She now lives and works in Berlin.
Her practice unfolds around sound installations, site-specific sound interventions and music. Her work has been shown at CTM 2013, Deutsche Oper Berlin, Shangai Electronic Music Week or Ars Electronica.
Read MoreJasmine Guffond is a sound artist and composer from Sydney, Australia, living and working in Berlin, Germany. She has performed live internationally, exhibited sound installations and recorded music for CD and 12inch vinyl releases with the Sigma Editions, Staubgold, Monika Enterprise and Sonic Pieces labels.
Read MoreFrance Jobin is a sound / installation / artist, composer, and curator residing in Montreal, whose audio art, qualified as “sound-sculpture”, reveals a minimalist approach to complex sound environments where analog and digital intersect.
Read MoreStanier Black-Five is the ex-UK and now New Zealand-based sound artist and writer, Jo Burzynska. Her audio work is largely based on the manipulation of her own environmental recordings, which she uses to create dense soundscapes that use sources such as the pounding rhythms of trains to more recently, the sounds of the earthquakes that have shaken her home city.
Read MoreMelanie Herbert is a Sydney-based composer, performer and installation artist. She performs in 8-piece laptop orchestra Electronic Resonance Korps, as well as large-scale improvising ensemble, Splinter Orchestra. As resident sound artist for Earthcrosser Company, Melanie has been involved in self-devised theatre works such as Room which was showcased at PACT theatre in May 2014.
Read MoreThembi Soddell (b.1980) is an Australian sound artist, electroacoustic composer and practice-led researcher with an interest in psychology, perception, extreme emotion and the subjectivity of experience.
Read MoreGail Priest is a Sydney-based artist with a multifaceted practice in which sound is the key material of communication and investigation. Her compositions exist in a liminal zone between song and soundscape. She is the founder of Audible Women.
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