Sound-artist,electronic musician, singer, guitarist, composer/performer of experimental, contemporary, improvised music with her Max/MSP programming for live-sound-processing. She makes music for robots, interactive sound (and video) art, and “Audio Chandelier” multi-channel sound works.
Read MoreKristina Warren (US, UK) is an electroacoustic composer, improviser, and researcher. Her diverse output — including electronic-vocal performance, non-traditionally notated scores, and scholarship on gender in electronic music — imagines the coherence of seemingly disparate processes, such as noise and individualized listening.
Read MoreAlexandra Cardenas (born 1976) is a Columbian composer and improviser now based in Berlin, who has followed a path from Western classical composition to improvisation and live electronics. Her recent work has included Live coding performance, including performances at the forefront of the Algorave scene, and she was instrumental in the development of the Live Coding scene in Mexico City.
Read MoreDr. Donna Hewitt is a performer, vocalist, electronic music composer and instrument designer. Her primary interest in recent years has been exploring gesture in mediatized performance environments and new ways of interfacing the voice with electronic media. She is the inventor of the eMic, a sensor enhanced microphone stand for electronic music performance which she has been developing and performing works with both locally and internationally for the past 11 years.
Read MoreMonica Brooks has modeled sound works, compositions, and improvisations from piano, computer, field recordings, glasses, radio, and accordion.
Read MoreKate Carr is an Australian sound artist based in Belfast, Northern Ireland. Her work explores the way we shape, reshape and are shaped by the natural and built world. From desire paths, de-population, decay and renewal, she’s interested in exploring the lived sonic realities and histories of human places.
Read MoreGail Priest is a Sydney-based artist with a multifaceted practice in which sound is the key material of communication and investigation. Her compositions exist in a liminal zone between song and soundscape. She is the founder of Audible Women.
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